Maude White is a paper cutting artist living in Buffalo, NY. She loves the great strength, yet delicacy of paper. Her work is done on the macro as well as the micro level. Every cut is exact and meaningful. She enjoys playing with positive and negative space to create fantastic scenes and stories. She considers herself a craftsperson and has a deep respect for the paper she transforms. In pursuing her work, she hopes to make visible to others the immense world of possibilities that every piece of paper holds.
September 5th-October 25th, 2014
Opening September 5th, 2014 6-9pm
White’s show is the fourth in the 12 x 14 series at WNYBAC, which features 5 artists over the course of twelve months; Maude will also host a free collaborative event that will give insight into her process on Saturday September 20th, 2014 from 12-5pm.
”When I cut paper, I feel as if I am peeling back the outer, superficial layer of our vision to reveal the secret space beneath. With paper cutting there are so many opportunities to create negative space that tells its own story. Letting the observer become present in the piece allows him or her to look through it. I like the idea of the stark contrast between the black and white paper, and the cut nature of the work makes my art more three-dimensional than paint on canvas. ”
(via ladyofthelog)Source: littlelimpstiff14u2
“I got both of them from local shelters. When I got her in 2006, the staff told me she was a shepherd husky. I go to the dog park, I’m meeting people with shepherd husky mixes, and they look nothing like her. I get in my car, I’m driving, I look in the rearview mirror, I see these eyes and I’m like, I’ve got a wolf in my car. Then, when she was 10-months old, there was a shepherd breeder and trainer in the dog park, and at the end of the lesson, the trainer came up to me and asked, ‘What kind of dog is that?’ And I’m thinking, Shepherd husky. You should know, you are a breeder. She said, ‘That’s a wolf.’”
Thats mildly hilarious
"Johnnie Phelps, a woman sergeant in the army, thought, “There was a tolerance for lesbianism if they needed you. The battalion I was in was probably about ninety-seven percent lesbian.”
Sergeant Phelps worked for General Eisenhower. Four decades after Eisenhower had defeated the Axis powers, Phelps recalled an extraordinary event. One day, the general told her, “I’m giving you an order to ferret those lesbians out. We’re going to get rid of them.”
“I looked at him and then I looked at his secretary who was standing next to me, and I said, ‘Well, sir, if the general pleases, sir, I’ll be happy to do this investigation for you. But you have to know that the first name on the list will be mine.’ “
“And he was kind of taken aback a bit. And then this women standing next to me said, ‘Sir, if the General pleases, you must be aware that Sergeant Phelp’s name may be second, but mine will be first.”
“Then I looked at him, and said, ‘Sir, you’re right. They’re lesbians in the WAC battalion. And if the general is prepared to replace all the file clerks, all the section commanders, all the drivers-every woman in the WAC detachment-and there were about nine hundred and eighty something of us-then I’ll be happy to make that list. But I think the general should be aware that among those women are the most highly decorated women in the war. There have been no cases of illegal pregnancy. There have been no cases of AWOL. There have been no cases of misconduct. And as a matter of fact, every six months since we’ve been here, the general has awarded us a commendation for meritorious conduct.”
“And he said, ‘Forget the order.’”"
The Gay Metropolis, page 47, Charles Kaiser (via bibliothekara)
Phelps tells this story herself in the excellent 1984 documentary Before Stonewall, which you can watch in its entirety on YouTube (she’s at 19:30, but really, watch the whole thing): https://www.youtube.com/watch?v=kX7AxQd82H8
This makes me laugh every time I see it.